Where does Arturo farrill live?
New York City
O’Farrill lives in New York City with his wife Alison Deane, a trained classical pianist, and sons Zachary (a drummer) and Adam O’Farrill (a trumpeter), who formed the O’Farrill Brothers Band.
Who did Chico o Farrill arranged Music for?
Mr. O’Farrill’s obscurity stemmed from his unassuming personality but also from his perfectionism. He was willing to serve as a writer and arranger, in the 1940’s and 50’s for Dizzy Gillespie, Machito, Count Basie and Stan Getz, among others.
Which Latin Jazz Band became the first real multi racial band in the United States?
Machito
Because of Machito and his Afro-Cubans’ fusions with jazz, Latin music became embedded as a permanent fixture of American mainstream culture. They were also the first truly multi-racial band in the United States.
What is the common thread between all Latin jazz groups?
The common thread between them is West Africa. Brazil’s African roots go back to Angola, Benin, and parts of Nigeria, whereas Cuba is more Yoruba, Bantu and the Efik peoples. What places and people are included in the term Latin jazz?
Who is the famous Cuban conga player known for performing the song sofrito?
With over 90 million albums sold worldwide, she is the single most success- ful crossover performer in Latin music history. Andy Garcia – was born in Havana, Cuba on April 12, 1956. This Academy Award-nominated Cuban American actor gained much popularity in the 1990’s when he starred in many Hollywood movies.
Who wrote Afro Blue?
Mongo SantamaríaJohn Coltrane
Afro Blue/Composers
What city is the birthplace of jazz?
New Orleans
Each ethnic group in New Orleans contributed to the very active musical environment in the city, and in this way to the development of early jazz. A well-known example of early ethnic influences significant to the origins of jazz is the African dance and drumming tradition, which was documented in New Orleans.
What is the form of Afro Blue?
Rhythm. “Afro Blue” was the first jazz standard built upon a typical African 3:2 cross-rhythm, or hemiola. The song begins with the bass repeatedly playing 6 cross-beats per each measure of 12/8, or 6 cross-beats per 4 main beats—6:4 (two cells of 3:2).