Table of Contents
What is the lesson of the story Sorry, Wrong Number?
The moral of “Sorry, Wrong Number,” which came to the Paramount yesterday, is that you should never leave a woman alone in a house with a telephone, especially if the woman is a nervous, excitable type.
What is the point of view of Sorry, Wrong Number?
Lucille Fletcher tells her play Sorry, Wrong Number in the first and third-person limited omniscient perspective, from the point of view of stage directions for action in third, and in the first-person with respect to the characters involved in the play.
What is the introduction of Sorry, Wrong Number?
INTRODUCTION. Lucille Fletcher’s drama Sorry, Wrong Number was first performed as a radio play in 1943. In the preface to the published version, Fletcher writes, “This play was originally designed as an experiment in sound and not just as a murder story.” The voices on the telephone were to be the play’s main focus.
What is ironic about Sorry, Wrong Number?
What effect does the line “Sorry, wrong number” have at the end of the play? It’s ironic (opposite of what one would think or expect in a situation) in that Mrs. Stevenson originally believes she has called a wrong number and overhears the murder plot in which she is the victim for whom she tries to get help.
What is the plot and plot structure of Sorry, Wrong Number?
Leona Stevenson is sick and confined to her bed. One night while waiting for her husband to return home, she picks up the phone and accidentally overhears a conversation between two men planning a murder. She becomes increasingly desperate as she tries to work out who the victim is so the crime can be prevented.
Who is the main character in the story Sorry, Wrong Number?
Sorry, Wrong Number is a play written by Lucille Fletcher in 1952. The main character is Mrs. Stevenson, an invalid, who has been attempting to get in touch with her husband, who is working late. However, the line is busy, and she ends up overhearing a phone conversation between a killer named George and his boss.
What is the effect of George’s line Sorry Wrong Number at the end of the story?
Q. What is the effect of George’s line, “Sorry, wrong number” at the end of the play? Duffy thinks that nothing important has happened. The reason for the murder is revealed.
What is the effect of George’s line Sorry, Wrong Number at the end of the story?
What is the effect of George’s line Sorry, Wrong Number at the end of the story Brainly?
How do you analyze the structure of a story?
To analyze a narrative, you need break down plot elements, sort out the sequence of events and recognize how the author’s style and the narrative point of view influences the storytelling. By examining these elements, you expose for your reader the path the author devised as a journey through his story.
Which statement best describes the main conflict in the play Sorry Wrong Number?
Which Statement best describes the main conflict of the play? Mrs. Stevenson has overheard a murder plot, but she can’t get anyone to do anything about it.
When was Sorry Wrong Number by Lucille Fletcher written?
This detailed literature summary also contains Quotes and a Free Quiz on Sorry, Wrong Number by Lucille Fletcher. Sorry, Wrong Number is a play written by Lucille Fletcher in 1952. The main character is Mrs. Stevenson, an invalid, who has been attempting to get in touch with her husband, who is working late.
What is the plot of Sorry Wrong Number?
Log in or sign up to add this lesson to a Custom Course. Sorry, Wrong Number tells the story of Mrs. Elbert Stevenson an invalid woman confined to her bed, who becomes increasingly frantic as the story progresses. The drama begins with Mrs. Stevenson attempting to call her husband, who is working late.
What are the literary devices used in Sorry Wrong Number?
The play Sorry, Wrong Number is a tale of just how badly errors in communication can turn out. Its main literary device is dramatic irony, in which the audience knows more about the protagonist’s plight than she does.
What is dramatic irony in Sorry Wrong Number?
This is a story construction technique in which the audience has greater knowledge of the situation playing out than the protagonist does. Dramatic irony is an important element of Sorry, Wrong Number, because the audience becomes aware that Mrs. Stevenson is the intended murder victim long before she herself realizes this.