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Who first sang dont worry be happy?
musician Bobby McFerrin
“Don’t Worry, Be Happy” is a 1988 song by American musician Bobby McFerrin, released as the first single from his fourth album, Simple Pleasures (1988). It was the first a cappella song to reach number-one on the Billboard Hot 100 chart, a position it held for two weeks.
Who wrote dont worry baby?
Roger ChristianBrian Wilson
Don’t Worry Baby (Mono)/Composers
Who did a remake of Don’t worry be happy?
Versions
| Title | Performer | Release date |
|---|---|---|
| Don’t Worry, Be Happy | Levi Roots | July 24, 2015 |
| Don’t Worry, Be Happy | Chill Bill | July 2015 |
| Don’t Worry, Be Happy | Cheap Horse | April 1, 2017 |
| Don’t Worry, Be Happy | George Ezra | November 17, 2017 |
Is Bobby McFerrin Jamaican?
Born in New York in 1950, his parents were classically trained singers; his father, Robert McFerrin Sr., was the first African-American male to perform solo at the Metropolitan Opera, and provided the singing voice for Sidney Poitier in the movie Porgy and Bess.
Where does Dont worry be happy come from?
The phrase “Don’t Worry Be Happy” came from the Indian guru Meher Baba. In an interview with USA Weekend magazine, McFerrin explained that he saw a poster of Meher Baba with the phrase and thought it was “a pretty neat philosophy in four words.”
Which Beach Boys song is very similar to Be My Baby by The Ronettes?
Don’t Worry Baby
As a response to “Be My Baby”, Wilson conceived the song “Don’t Worry Baby”. He originally considered having it recorded by the Ronettes instead of the Beach Boys. Ronnie remembered, “It was the follow-up to ‘Be My Baby,’ and [Brian] came running into Gold Star Studios and said, ‘I wrote a great song for you!’
Is Bobby Mcfarland still alive?
He was 85. He died Friday of a heart attack, the funeral home handling his services confirmed Monday. McFerrin won the Metropolitan Opera national auditions in 1953.
How many octaves can Bobby McFerrin sing?
four-octave
Bobby McFerrin is a master of vocal improvisation, using his four-octave range in various techniques, from scat singing to polyphonic overtone singing to vocal percussion, working both unaccompanied and with instruments.