Table of Contents
How do you write in counterpoint first species?
In first species counterpoint, we begin with a cantus firmus (new or existing) and compose a single new line—called the counterpoint—above or below the cantus firmus. That new line contains one note for every note in the cantus: both the cantus firmus and the counterpoint will be all whole notes.
Who invented counterpoint?
Invented in the early 18th century by Johann Joseph Fux, species counterpoint was one of the two pillars of music composition training in the Northern European tradition (the other being the discipline of thoroughbass).
Should you learn counterpoint?
The most common places you would see counterpoint today is in background vocals and anything where there is more then melody at a time. If you want to write anything where two or more musical lines work together, but sound independent then learning counterpoint is a must.
What are the elements of counterpoint?
Good counterpoint requires two qualities: (1) a meaningful or harmonious relationship between the lines (a “vertical” consideration—i.e., dealing with harmony) and (2) some degree of independence or individuality within the lines themselves (a “horizontal” consideration, dealing with melody).
How do you write a first species counterpoint?
The counterpoint line In general, the counterpoint should follow the principles of writing a good cantus firmus. There are some minor differences, to be discussed below, but generally a first-species counterpoint should consist of two cantus-firmus-quality lines. Beginning a first-species counterpoint
What is first species counterpoint in music?
Composing a first-species counterpoint. Counterpoint is the mediation of two or more musical lines into a meaningful and pleasing whole. In first-species counterpoint, we not only write a smooth melody that has its own integrity of shape, variety, and goal-directed motion, but we also write a second melody that contains these traits.
How do you write a counterpoint above a cantus?
Thus, when writing a counterpoint above a cantus firmus, the first note of the counterpoint should be do or sol (a P1, P5, or P8 above the cantus). When writing a counterpoint below a cantus firmus, the first note of the counterpoint must always be do (P1 or P8 below the cantus).
Where can I find the list of counterpoint rules?
The list of counterpoint rules is shown at the bottom of the page. You must choose at least 1 of the below checkboxes. Automatically proceed to the next question after identifying the correct answer. You must choose at least one note to drill! You must choose at least one interval to drill!