What was so special about Laurel Canyon?

What was so special about Laurel Canyon?

Laurel Canyon became a nexus of counterculture activity and attitudes in the mid-late 1960s and early 1970s, becoming famous as home to many of L.A.’s rock musicians, such as Cass Elliot of the Mamas & the Papas; Joni Mitchell; Frank Zappa; Jim Morrison of The Doors; Carole King; The Byrds; Buffalo Springfield; Canned …

Who lived in Laurel Canyon in the 60s?

In the 1960s, Laurel Canyon became famous as home to many of L.A.’s top rock musicians and bands, including The Byrds, Frank Zappa, Jim Morrison, the Buffalo Springfield and Love. Joni Mitchell, lived in the home that was immortalized in “Our House “, written by her then lover Graham Nash.

Is Los Angeles good for music?

Although best known for its film studios and Hollywood glitz, Los Angeles has long been a center of the music industry and is undoubtedly one of the best places to see live music in the country today.

What musicians live in Laurel Canyon now?

Now, decades later, the influence of these artists of the canyon is still being heard today in artists like Harry Styles, Lana Del Rey, Mumford and Sons, Haim and more.

What was Los Angeles like in the 1960s?

Los Angeles in the 1960s also was the site of a vibrant live music scene centred on the Sunset Strip (a mile-long portion of Sunset Boulevard). Bands such as Buffalo Springfield, the Byrds, and the Doors honed their chops at clubs like Ciro’s, the Troubadour, the Whisky-a-Go-Go, and Gazzarri’s.

Why do musicians move to LA?

Moving to L.A. can allow you to compete with other artists in your genre, which can push you to perform better and work harder. You’ll also gain perspective on where you’re at as a musician when you start to see what others are bringing to the table.

Is Los Angeles the music capital?

They found that by nearly ever measure, Los Angeles is the epicenter of music in the US.

Did Fleetwood Mac live in Laurel Canyon?

And yet, some magic lingered. In 1974, British drummer Mick Fleetwood rented a house in Laurel Canyon. Already familiar with the area thanks to his time in John Mayall’s Bluesbreakers, his own band, Fleetwood Mac, had by that time released no fewer than nine albums without ever breaking through to mainstream success.

What was happening in the 1960s in California?

California became the state with the largest population During the decade of the 1960s, California’s population surpassed that of New York, making California the most populous state in the U.S. From the beginning of the 1900s, California had been growing twice as fast as the rest of the United States.

What was Los Angeles like in the 1950s?

Los Angeles has become a world city in the intervening years, a gigantic, fast-paced, complex megalopolis, but in the 1950s, while undeniably huge in area, it was still largely a sprawling collection of self-contained neighborhoods with lots of undeveloped spaces in between waiting to be filled.

What is difference between Cajun and zydeco music?

Cajun music and zydeco are closely related parallel music forms. Cajun music is the music of the white Cajuns of south Louisiana, while zydeco is the music of the black Creoles of the same region. Both share common origins and influences, and there is much overlap in the repertoire and style of each.

What happened to the LA music scene in 1969?

MICHELLE PHILLIPS: Before 1969, my memories were nothing but fun and excitement and shooting to the top of the charts and loving every minute of it. The Manson murders [in the summer of 1969] ruined the L.A. music scene. That was the nail in the coffin of the freewheeling, let’s get high, everybody’s welcome, come on in, sit right down.

Why did the 1960s music scene fall apart in California?

The California music scene of the late 1960s and early 1970s fell apart because of drugs, money, success, Altamont, money, drugs, burnout, and new musical trends. LOU ADLER: The hippie version of freedom in the 1960s was breaking down the Establishment.

How did the 1960s and 1970s influence American culture?

DAVID GEFFEN: The music in the 1960s and ‘70s influenced people’s lives, influenced the culture, influenced politics. The difference between then and now is the draft.

How did the Manson murders affect the music scene in 1969?

The Manson murders [in the summer of 1969] ruined the L.A. music scene. That was the nail in the coffin of the freewheeling, let’s get high, everybody’s welcome, come on in, sit right down. Everyone was terrified.