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What does Apollonian represent?
To the ancient Greeks, Apollo represented the perfection of youthful manhood. He was the god of music, poetry, archery, prophecy, and healing, among other things. English speakers began using the adjective “Apollonian” for someone who resembled Apollo in physical beauty or talent as long ago as 1663.
What does Dionysian represent?
Dionysus (/daɪ.əˈnaɪsəs/; Ancient Greek: Διόνυσος Dionysos) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre in ancient Greek religion and myth.
What are Dionysian qualities?
Dionysus is known for having something of a dual personality: He brings joy, ecstasy and merriment, but also delivers “brutal and blinding rage.” So, in a sense, he represents all the possible side effects of overindulgence.
Who came up with Apollonian and Dionysian?
Friedrich Nietzsche
The Apollonian and the Dionysian are key terms in Nietzsche’s philosophy of aesthetics, referring to two opposing tensions within art. The Apollonian and Dionysian are terms used by Friedrich Nietzsche in his work the Birth of Tragedy (1872) to denote two opposing tensions in art.
What did Nietzsche mean by Dionysian?
Dionysus is the Greek god of wine and music, and Nietzsche identifies the Dionysian as a frenzy of self-forgetting in which the self gives way to a primal unity where individuals are at one with others and with nature. Both the Apollonian and the Dionysian are necessary in the creation of art.
What distinguishes an Apollonian response to the humanities from Dionysian response?
Apollonian and Dionysian Responses to the Humanities: 1. originally formulated from the Greek gods of light, truth, and order (Apollo); and emotion, frenzy, and intuition (Dionysus). The Apollonian, which seeks meaning, and the Dionysian, which finds fulfillment in the emotional release that watching tragedy affords.
Who created Apollonian and Dionysian?
Nietzsche
Apollonian and Dionysian are terms used by Nietzsche in The Birth of Tragedy to designate the two central principles in Greek culture.