Table of Contents
What does gain staging do?
Gain staging is the process of making sure the audio is set to an optimal level for the next processor in the chain in order to minimize noise and distortion. By gain staging through your analog and digital systems, you can achieve the best possible sound for your recording.
Is gain staging worth it?
Gain staging is one of the most fundamentally important elements in creating a professional-sounding mix. Without proper gain staging, your mix may suffer from unwanted distortion or excessive noise.
What gain should you record at?
So when you’re recording it’s best to set your levels conservatively. A good rule of thumb is to equate -18dBFS with the analog standard of 0dBVU. If you keep your peaks hitting not much above -10dBFS, and keep the average level around -18dBFS you should have a signal that’s right in that sweet spot.
Should you gain stage vocals?
Whether you’re recording or mixing, gain staging is a crucial step to making your song sound professional. Turn up an instrument that was recorded too quietly and you’ll get a lot of extra noise with it. If an instrument is too loud, it’ll start distorting.
What dB should my beat be?
So long as your mixes give the mastering engineer room to work, and cover your noise floor, then you’re in a good range. I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB.
What is good gain structure?
Setting Optimal Gain of Your Inputs Nominal on analog is -0-, however on digital it can range from -12dB to -0- depending on the soundboard. On digital soundboards, it is generally the last green LED or just into the yellow. Red is clipping, and on analog it’s ok to find peak signals occasionally hitting the red.
How high should gain be on mic?
Many of our microphone preamps (for example the Scarlett and Clarett ranges) apply between +10dB and +60dB of gain to the input signal. The gain required to obtain an acceptable signal level will depend on several factors including: The input source (A loud drum vs a quiet acoustic guitar)
What level should I gain stage?
You want to aim for an average of -18 dBFS with peaks hitting around -10 dBFS. You never want a channel to go above -6 dBFS while recording. Set yourself up for success by keeping each track’s volume in this range!
How loud should master be fl studio?
How loud should your master be? Shoot for about -23 LUFS for a mix, or -6db on an analog meter. For mastering, -14 LUFS is the best level for streaming, as it will fit the loudness targets for the majority of streaming sources, but it’s okay to go louder (-7 to -10) so that your music stacks up well on other mediums.
How many dB should my 808 be?
Instead of dressing up an 808 with half-a-dozen signal processors, just try making it louder than the other instruments. Start with all your faders down. Bring up the 808 so it’s at a reasonable level in your DAW (probably somewhere around -18 dBFS).